Trang chủ Giới thiệu Liên hệ Hỏi đáp
 
 
( 0 ) items - VND 0


Nhà sản xuất

Danh mục hàng

Sản phẩm mới
1. Tangent element
2. Teranex AV
3. DeckLink Mini Monitor 4K
4. Grass Valley EDIUS Pro 8
5. DeckLink Duo 2

Sản phẩm bán chạy
1. JABRA CRUISER2
2. Logitech Touch Mouse M600

Tin tức
Hội thảo "Cuộc cách mạng công nghệ xử lý hình ảnh của hãng Blackmagic Design" tại TP Hà Nội
Chương trình Workshop "Blackmagic Design Và Các Giải Pháp Mới Trong Sản Xuất Nội Dung UltraHD" tại TP Hà Nội
Series: Giới thiệu các xe truyền hình lưu động (OB) nhỏ nhất thế giới - Part 2: UltraDH ở NIMB TV – Đan Mạch
Blackmagic Design tham dự Triển lãm Quốc tế về Phát thanh – Truyền hình và Thiết bị nghe nhìn 2014
Hội thảo "Cuộc cách mạng công nghệ xử lý hình ảnh của hãng Blackmagic Design" tại TP Hà Nội


AJA Ki Pro (AJAKiPro)

AJA Ki Pro

Khoản mục khác :
Email tới bạn bè
Hỏi thêm thông tin sản phẩm
Đưa sản phẩm vào mục Yêu thích
 
Quý khách đã sẵn sàng mua hàng ?

Giá bán: VND 110,741,400

Còn hàng

 






Sản phẩm liên quan :

Descriptions
Ki Pro combines the power of a file-based recorder with the familiar controls of a tape deck in a portable format that you can carry with you, anywhere.

The original ProRes recorder

Ki Pro established a new paradigm for tapeless video recorders by being the first recorder to offer support for creating Apple ProRes 422 files, which revolutionized how footage could be moved efficiently from production to editorial. Editors are able to work with footage immediately without the need for special file importers or transcoding steps. The workflow is simple: record with the Ki Pro, remove the the KiStor Storage Module from the Ki Pro and connect the KiStor Storage Module to the edit system via built-in connectivity

Unify formats - speed workflows

AJA's high-quality up/down/cross conversion makes it easy to unify SD, 720p, and 1080i and create a single desired format for your project. The multitude of video and audio connections such as SDI, HDMI and analog make integrating Ki Pro with other production equipment easy.

RS-422 Control

RS-422 control allows Ki Pro to integrate easily with supported editing systems and external controllers allowing it to fulfill several of the functions of a traditional VTR. Supported NLEs can even perform assemble edits directly to the Ki Pro.

Ki Pro's RS-422 control can also be used to link a traditional VTR with Ki Pro for direct editing control. Use the editing controls on properly equipped VTRs to control Ki Pro for machine-to-machine transfer of video and audio. This allows tape footage to be captured directly as files on Ki Pro without the need for a separate edit controller.

10-bit, full raster recording

Big on quality - but not on file size. Recording 10-bit, full raster files, Ki Pro gives you high quality images that easily stand up to post processing requirements - and client scrutiny.

Compared to 8-bit recording devices, 10-bit 4:2:2 recording (when supported by the codec) provides better quantization, giving a superior representation of the original scene and allowing for more flexibility in post production when adjusting color and balance.

By utilizing efficient ProRes codecs, file sizes are kept in check so you won't need to blow your production budget on extra storage.

Connectivity

Ki Pro's extensive connectivity ensures that you will be able to interface with virtually any gear in your production workflow. The rear panel is packed with connectors which include: SDI input/output, HDMI input/output, component analog input/output, balanced and unbalanced analog audio input/output, LTC input/output as well as LANC.

Reliable storage media

Ki Pro captures directly to reliable AJA KiStor Storage Modules. KiStor modules are available as HDDs or SSDs in a variety of capacities to best suit the demands of your production environment. KiStor modules also feature built-in FireWire 800 or USB 3.0 connectivity for direct connection to your editing system using standard interfaces. However, KiStor modules may also be used with the optional KiStor Dock which features a Thunderbolt™ connection for lightning-fast data transfers.

Remote configuration and operation

On set or in a machine room, Ki Pro is equipped for advanced remote control and configuration. With a standard Ethernet LAN connection to a host computer and any web browser, all Ki Pro parameter settings, clip selection and transport controls can be controlled; no additional or special software installation is required on the host computer. Multiple Ki Pro units can even be controlled from a single web interface making Ki Pro an ideal solution for multi-camera recordings. Complete developer tools are also available allowing advanced users to script and automate Ki Pro for custom applications.

Familiar controls and operation

Just like a traditional tape deck, Ki Pro features straightforward and dedicated transport buttons - record, play, stop, rewind, fast forward - making the device easy to operate with minimal training time. The current status of the system and key configuration information is clearly displayed on the built-in screen. Additional operational information can be found in the STATUS menu which can be accessed even when recording or playing back.

The Ki Pro operating system offers users a flat menu structure that is easy to navigate with menu parameters presented in clear and understandable language.

Automatic Camera Control

Using the Camera Data menu parameter, record start/stop operation can be trigged automatically with select cameras. Even file names can be reproduced on the Ki Pro to match the camera native recordings. Automated start/stop can also be accomplished via LANC when connected to properly equipped cameras.

Ethernet file transfer

Because of its network connectivity, media can be copied to and from Ki Pro over the Ethernet connection. This allows for fast file transfers without the need to physically remove the media from the Ki Pro, which can be especially useful in larger facilities and can cut down on machine room traffic by eliminating the number of people that have to be in the machine room.

Specification

Video Formats

  • 525i 29.97
  • 625i 25
  • 720P 23.98, 25, 29.97, 50, 59.94, 60 (Note: 720p 23.98 (24), 720p 25 and 720p 29.97 require a valid camera source and the use of the Record Type>VFR selection)
  • 1080i 25, 29.97, 30
  • 1080PsF 23.98, 24, 25, 29.97, 30
  • 1080PsF 23.98, 24, 25*, 29.97* (Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection)
  • 1080p 23.98, 24, 25, 29.97

Codec Support

  • Apple ProRes 422
  • Apple ProRes 422 (HQ)
  • Apple ProRes 422 (LT)
  • Apple ProRes 422 (Proxy)

Removable Storage

  • AJA Ki Stor modules - 1 slot
  • ExpressCard/34 - 2 slots (Only Slot 1 active, See www.aja.com for supported media)

Video Input Digital

  • SD/HD SDI, SMPTE-259/292/296, 10-bit
  • Single Link 4:2:2 (1 x BNC)
  • HDMI v1.1

Video Input Analog

  • SD/HD Component (3 x BNC)
  • SMPTE/EBU N10, Betacam 525 line, Betacam 525J
  • 12-bit A/D, 2x oversampling
  • +/- .25 dB to 5.5 MHz Y Frequency Response
  • +/- .25 dB to 2.5 MHz C Frequency Response
  • .5% 2T pulse response
  • <2 ns Y/C delay inequity

Video Output Digital

  • SD/HD SDI, SMPTE-259/292/296, 10-bit
  • Single Link 4:2:2 (1 x BNC)
  • HDMI v1.1
    Note: HDMI requires 1080i, 720p or 1080p to be active; HDMI does not provide support for PsF

Video Output Analog

  • Composite (1xBNC)
  • NTSC, NTSCJ, PAL
  • 12-bit D/A, 8x oversampling
  • +/- .2 dB to 5.0 MHz Y Frequency Response
  • +/- .2 dB to 1 MHz C Frequency Response
  • .5% 2T pulse response
  • <1% Diff Phase
  • <1% Diff Gain
    Note: Composite output requires that the Component Analog output be set to SD; composite output does not support HD
  • Component (3 x BNC)
  • HD: YPbPr, RGB
  • SD: YPbPr, RGB (component mode)
  • SMPTE/EBU N10, Betacam 525 line, Betacam 525J, RGB
  • 12-bit D/A, 8x oversampling
  • +/- .2 dB to 5.5 MHz Y Frequency Response
  • +/- .2 dB to 2.5 MHz C Frequency Response
  • .5% 2T pulse response
  • <1 ns Y/C delay inequity

Audio Input Digital

  • 2-channel or 8-channel user selectable
  • 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
  • 2-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous

Audio Input Analog

  • 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
  • Input level: Line, Mic, Mic+phantom 48Vdc
  • +24dbu Full Scale Digital
  • +/- 0.2db 20 to 20kHz Frequency Response
  • 2-channel unbalanced (2 x RCA)

Audio Output Digital

  • 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
  • 2-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous

Audio Output Analog

  • 2-channel, 24-bit D/A analog audio, 48kHz sample rate, balanced (2 x XLR)
  • +24dbu Full Scale Digital (0dbFS)
  • +/- 0.2db 20 to 20kHz Frequency Response
  • 2-channel unbalanced (2 x RCA)
  • Stereo unbalanced headphone (1 x 3.5mm mini jack)

Up-Conversion

  • Hardware 10-bit
  • Anamorphic: full-screen
  • Pillar box 4:3: results in a 4:3 image in center of screen with black sidebars
  • Zoom 14:9: results in a 4:3 image zoomed slightly to fill a 14:9 image with black side bars
  • Zoom Letterbox: results in image zoomed to fill full screen
  • Zoom Wide: results in a combination of zoom and horizontal stretch to fill a 16:9 screen; this setting can introduce a small aspect ratio change

Down-conversion

  • Hardware 10-bit
  • Anamorphic: full-screen
  • Letterbox: image is reduced with black top and bottom added to image area with the aspect ratio preserved
  • Crop: image is cropped to fit new screen size

Cross-conversion

  • Hardware 10-bit
  • 1080i to 720P
  • 720P to 1080i

Timecode

  • SDI RP188/SMPTE 12M via SDI BNC
  • LTC input (1 x BNC)
  • LTC output (1x BNC) (Note: active during playback not during record or EE)

Network Interface

  • 10/100/1000 Ethernet (RJ-45)
  • 802.11g Wireless
  • Embedded web server for remote control

Computer Interface

  • IEEE1394b/FireWire800

User Interface

  • 2 x 20 character display, with dedicated buttons

Control

  • LANC Loop (2 LANC Connectors) (Note: requires a LANC enabled camera)
  • Lens Tap (Note: Not activated)
  • IEEE-1394a/FireWire400 for control and timecode data

Machine Control

  • RS-422, Sony 9-pin protocol.
  • 9-pin D-connector pinout is as follows:
    1 GND
    2 RX-
    3 TX+
    4 GND
    5 No Connection
    6 GND
    7 RX+
    8 TX-
    9 GND
    Shell GND




Thời gian làm việc
- Từ 8h30 - 21h30
- Đặt hàng online 24/24
Kinh doanh
Hotline: 093 449 8189
Hotline: HCM 093 449 8189
Hỗ trợ kỹ thuật



Thông tin liên hệ
- Phòng 706, Tầng 7, Tháp T2, Times Tower - HACC1 Complex Building, Lê Văn Lương, Thanh Xuân, Hà Nội.
- Tel: 024 37151566
- Email: kinhdoanh@tanquang.vn
Giới thiệu avStore
- Giới thiệu avStore
- Tanquang Media JSC
- Đối tác
- Tuyển dụng
Hướng dẫn mua hàng
- Thay đổi/ huỷ đơn hàng
- Liên hệ
- Vận chuyển
- Thanh toán
- Trả lại hàng
Liên kết website
- www.tanquang.vn
- www.blackmagicdesign.com
- www.creative.com
- www.hauppauge.com.sg
- www.audioengineusa.com
- www.tely.com

   Copyright 2020    avStore.vn
Powered by avStore.vn   
   Trang hiển thị trong:1.1875 giây