Description
Compact, lightweight and designed to fast track your footage from camera
to editorial. Ki Pro Mini mounts easily to any SDI/HDMI camera and
records 'ready-to-edit' files in Apple ProRes and Avid DNxHD formats.
The fastest path from camera to editorial
Designed to mount easily to virtually any SDI or HDMI
equipped video camera, Ki Pro Mini connects directly to your camera's
digital output and captures full quality footage to Compact Flash (CF)
media in Apple ProRes 422 or Avid DNxHD formats. When it's time to edit,
just remove the CF media, transfer to your computer via card reader,
and the footage is ready to use straight away in your editing software,
without the need for additional import or transcoding steps. 10-bit, full raster recording
Big on quality - but not on file size. Recording 10-bit,
full raster files, Ki Pro Mini gives you high quality images that easily
stand up to post processing requirements - and client scrutiny.
Compared to 8-bit recording devices, 10-bit 4:2:2
recording (when supported by the codec) provides better quantization,
giving a superior representation of the original scene and allowing for
more flexibility in post production when adjusting color and balance.
By utilizing efficient ProRes codecs, file sizes are kept
in check so you won't need to blow your production budget on extra
storage. Apple ProRes and Avid DNxHD
While many cameras record directly to digital files, most
native camera formats aren't designed for efficient non-linear
editorial work. Ki Pro Mini solves this problem by recording direct to
the formats you edit in, using a variety of Apple ProRes 422 or Avid
DNxHD codecs.
Different cameras each record to their own native
formats, which can lead to inefficiencies in the editing process.
Recording each camera to a Ki Pro Mini unifies production to a single
file format, streamlining the edit process. Familiar controls and operation
With simple controls and an intuitive operation, Ki Pro
Mini is easy to incorporate into your existing setup without worrying
about a learning curve.
Just like a traditional tape deck, Ki Pro Mini features
straightforward and dedicated transport buttons - record, play, stop,
rewind, fast forward - making the device easy to operate with minimal
training time. The current status of the system and key configuration
information is clearly displayed on the built-in screen. Additional
operational information can be found in the STATUS menu which can be
accessed even when recording or playing back.
The Ki Pro Mini operating system offers users a flat menu
structure that is easy to navigate with menu parameters presented in
clear and understandable language.
Ready for action
Compact but rugged, Ki Pro Mini is designed to withstand
the rigors of real world use, shoot after shoot, day after day. We use
the highest quality components to ensure it's ready to go to work every
time you are.
It may be small, but Ki Pro Mini is made of lightweight,
strong aluminum, with a robust construction that allows it to support
the growing amount of extra gear that is attached to today's cameras.
Playback and edit on-set
Ki Pro Mini vastly extends on-set capabilities for
smaller productions and fast-moving shoots. Recorded shots can be played
immediately without the need for separate video assist equipment.
If you're using a mobile editing system, footage from Ki
Pro Mini can be edited while you're still on the set, letting you make
sure you have the right shots and allowing the talent to see their
performances in context to give them better insight into the scene.
Flexible mounting options
Because no two setups are ever the same, you need the
flexibility to adapt to the circumstances of any shoot. The Mini
Mounting Plate attaches to the sides of the Ki Pro Mini and provides
almost endless mounting possibilities when used in combination with
battery plates, hot shoe mounts, articulated arms and more.
Giving you more options for mounting, camera balance and
weight distribution can be carefully controlled instead of just adding
another device to the body.
Broadcast-quality video and audio I/O
Ki Pro Mini is designed for optimum performance whether
your system uses SDI, HDMI or a combination of both. And because the SDI
and HDMI outputs are both always active, the Ki Pro Mini is not just a
recorder/player but a converter as well.
In addition to support for embedded SDI or HDMI audio,
the two XLR analog audio inputs allow audio from mixers and microphones,
including support for phantom power, to be recorded directly into the
files created by Ki Pro Mini.
Remote configuration and operation
The area around a camera can be a crowded place on set.
Ki Pro Mini is a favorite of DITs because it is uniquely equipped for
advanced remote control and configuration. With a standard Ethernet LAN
connection to a host computer and any web browser, all Ki Pro Mini
parameter settings, clip selection and transport controls can be
controlled; no additional or special software installation is required
on the host computer.
Multiple Ki Pro Mini units can even be controlled from a
single web interface making Ki Pro Mini an ideal solution for
multi-camera recordings. Complete developer tools are also available
allowing advanced users to script and automate Ki Pro Mini for custom
applications.
Automatic Camera Control
Using the Camera Data menu parameter, record start/stop
operation can be trigged automatically with select cameras - including
unique HDMI support for Sony, Canon (HDMI timecode) and Nikon (DSLR
support). Even file names can be reproduced on the Ki Pro Mini to match
the camera native recordings. Automated start/stop can also be
accomplished via LANC when connected to properly equipped cameras. Specification
Video Formats
- 525i 29.97
- 625i 25
- 720P 23.98, 25, 29.97, 50, 59.94, 60
(Note: 720p 23.98 (24), 720p 25 and 720p 29.97
require a valid camera source and the use of the Record Type>VFR
selection)
- 1080i 25, 29.97, 30
- 1080PsF 23.98, 24, 25*, 29.97*
(Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection)
- 1080p 23.98, 24, 25, 29.97
Codec Support
- Apple ProRes 422
- Apple ProRes 422 (HQ)
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
- Avid DNxHD 220x
- Avid DNxHD 145
- Avid DNxHD 36
(Note: Avid DNxHD is only supported for 1080p/PsF sources)
Removable Storage
- Compact Flash (CF) Cards - 2 slots (See <a
href="http://www.aja.com" title="Visiit www.aja.com for supported
media">www.aja.com</a> for supported media).
Video Input Digital
- SD/HD SDI, SMPTE-259/292/296, 10-bit
- Single link 4:2:2 (1 x BNC)
- HDMI v1.3
Video Output Digital
- SD/HD SDI, SMPTE-259/292/296, 10-bit
- Single link 4:2:2 (1 x BNC)
- HDMI v1.3
Audio Input Digital
- 2-channel or 8-channel user selectable
- 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
- 2-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous
Audio Input Analog
- 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
- Input level: Line, Mic, Mic+phantom 48Vdc
- +24dbu Full Scale Digital
- +/- 0.2db 20 to 20kHz Frequency Response
Audio Output Digital
- 8-channel, 24-bit SMPTE-259 SDI embedded audio, 48kHz sample rate, Synchronous
- 8-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous
Audio Output Analog
- Stereo unbalanced headphone (1 x 3.5mm mini jack)
Timecode
- SDI RP188/SMPTE 12M via SDI BNC
- HDMI (when used with compatible cameras)
- LTC input (1 x BNC)
Network Interface
- 10/100/1000 Ethernet (RJ-45)
- Embedded web server for remote control
User Interface
- 3 line character display, with dedicated buttons
Control
- LANC Loop (2 LANC Connectors) (Note: requires a LANC enabled camera)
Physical
- Width: 4.35" (11.06cm)
- Depth: 1.82" (4.62cm)
- Height: 5.90" (14.998cm)
- Power: 100-240 VAC 50/60Hz (adapter), 12-18Vdc 4-pin XLR (chassis), 1.5A max, 15W
- Weight: 1.262 lb. (0.572kg)
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