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AJA Ki Pro Quad (AJAKiProQuad)

AJA Ki Pro Quad

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Descriptions
Ki Pro Quad enable a manageable 4K/Quad HD/2K/HD workflow with the efficiencies of Apple ProRes and the flexibility of RAW data in a compact, solid state recording and playback package that easily mounts directly on a variety of cameras.

Manageable 4K

Enables a powerful yet manageable workflow for 4K. Ki Pro Quad serves as a central gathering point for the main needs of 4K production; bring camera signals into Ki Pro Quad and then simultaneously create edit-friendly 4K ProRes files, output to 4K monitors and record RAW data directly to Thunderbolt-enabled computer/storage system. 4K content needs are growing. Ki Pro Quad helps ease the transition to 4K with a recorder that creates smaller file sizes while still retaining quality.

HD now, 4K when you need it

Supports 4:2:2 and 4:4:4 recording even at HD and 2K resolutions. Real time scaling from 4K to 2K/HD. Shoot 4K but record 2K to keep file sizes down but still have theatrical quality images to work with. HDMI output allows connection even to HD consumer monitors. Ki Pro Quad can cover your needs today and into the future.

Powerful

New hardware-based features, such as real time, high-quality RAW debayering, recording directly to 4K resolution Apple ProRes files and real time scaling from 4K to HD. Only AJA can deliver advanced features like these in such a compact package.

Affordable

Ki Pro Quad is priced substantially less than other 4K recorders but still has the power and functionality for the demands of 4K productions as well as functionality not found in recorders of ANY price.

Familiar

Ki Pro Quad follows the same tried-and-true principles that have made the rest of the Ki Pro family successful, creating high-quality, low-bandwidth ProRes files up to 4K resolutions, that can be easily offloaded to a Thunderbolt or USB 3 enabled computer via AJA's Pak Dock SSD media reader. The resolution may be different, but the process is the same. And with the same capabilities of Ki Pro Mini for remote control, automation, ease of use and mounting options, the transition to Ki Pro Quad is virtually seamless.

4K and HD Monitoring

At 4K resolution, the ability to check focus and exposure is critical. The only way to do this is with proper, full 4K monitoring. Ki Pro Quad provides a full resolution output that can be fed to 4K monitors for real time, on set quality checks. Real time hardware scaling creates high-quality HD-SDI and HDMI outputs for viewing on consumer and professional HD monitors, giving you additional options.

RAW Support

RAW data is the source from which all other image formats can be generated. This is the equivalent of a camera negative in film terms. Thunderbolt allows the bandwidth to record this RAW data via a single cable to a properly configured drive array. Ki Pro Quad supports RAW data pass-through while simultaneously recording to 4K ProRes files, for the ultimate in data security and flexibility.

Onboard confidence monitoring

The screen on the Ki Pro Quad is located on the same side as all of the user controls so that both the screen and controls are fully accessible even when the Ki Pro Quad is mounted to the camera along with other gear. This provides a quick reference of the input signal as well as the configuration menus. The current status of the Ki Pro Quad as well as all the configuration information is displayed on the built-in screen.

Small enough to mount directly on the camera

4K cameras are no longer giant pieces of machinery. They are as mobile as an HD camera and need a recording device that matches. Ki Pro Quad has the same side profile as the AJA Ki Pro Mini, so the same mounting accessories such as the Mini Mounting Plate can be used to mount the Ki Pro Quad to cameras, rails or whatever the situation calls for.

Specification

Video Formats

  • 720P 23.98, 25, 29.97, 50, 59.94, 60
    Note: 720p 23.98 (24), 720p 25 and 720p 29.97 require a valid camera source and the use of the Record Type>VFR selection
  • 1080i 25, 29.97, 30
  • 1080PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 1080p 23.98, 24, 25, 29.97, 50, 59.94
  • 2K (2048x1080) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 2K (2048x1080) p 23.98, 24, 25, 29.97, 50, 59.94
  • QuadHD (3840x2160) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • QuadHD (3840x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    Note: 50 and 59.94 are not supported for recording only for input passthrough
  • 4K (4096x2160) PsF 23.98, 24, 25*, 29.97*
    Note: 25 and 29.97 require a valid camera source and the use of the Record Type>PsF selection
  • 4K (4096x2160) p 23.98, 24, 25, 29.97, 50*, 59.94*
    Note: 50 and 59.94 are not supported for recording only for input passthrough

Codec Support

  • Apple ProRes 422
  • Apple ProRes 422 (HQ)
  • Apple ProRes 422 (LT)
  • Apple ProRes 422 (Proxy)
  • Apple ProRes 4444

Removable Storage

  • 2x slots, AJA Pak SSD media

Video Input Digital

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
  • Single Link 4:2:2, 4:4:4 or Canon Raw (1 x BNC)
  • Dual Link 4:2:2, 4:4:4 or Canon Raw (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1D LUT Support

Video Output Digital

  • 4x 3G/HD SDI, SMPTE-292/296/424, 10-bit
  • Single Link 4:2:2 or 4:4:4 (1 x BNC)
  • Dual Link 4:2:2 or 4:4:4 (2 x BNC)
  • 4K or Quad HD 4:2:2 or 4:4:4 (4 x BNC)
  • 1x HD SDI monitor output with support for up to 2K (2048x1080) 4:2:2
  • 1x HDMI v1.4 monitor output
  • 1D LUT support

Audio Input Digital

  • 8-channel, 24-bit SDI embedded audio, 48kHz sample rate, Synchronous

Audio Input Analog

  • 2-channel, 24-bit A/D analog audio, 48kHz sample rate, balanced (2 x XLR)
  • Input level: Line, Mic, Mic+phantom 48Vdc
  • +24dbu Full Scale Digital
  • +/- 0.2dB 20Hz to 20kHz Frequency Response

Audio Output Digital

  • 8-channel, 24-bit SDI embedded audio, 48kHz sample rate, Synchronous
  • 8-channel, 24-bit HDMI embedded audio, 48kHz sample rate, Synchronous

Audio Output Analog

  • Stereo unbalanced headphone jack (1 x mini TRS)

Timecode

  • SDI RP188/SMPTE 12M via SDI BNC
  • LTC input (1 x BNC)

Reference Input

  • Analog Color Black (1V) or Composite Sync (2 or 4V)

Network Interface

  • 10/100/1000 Ethernet (RJ-45)
  • Embedded web server for remote control

Data Interface

  • 1x Thunderbolt

User Interface

  • 320x240 LCD display and 14 dedicated operational buttons

Physical

  • Width: 4.55 in. (11.557 cm)
  • Depth: 2.85 in. (7.239 cm)
  • Height: 5.89 in. (14.9606 cm)
  • Power: 100-240 VAC 50/60Hz (adapter), 12-18Vdc 4-pin XLR (chassis), 5A max, 31.2-35.5W typical-41.5W Max
  • Weight: 2.22 lb (1.00698 kg)




Thời gian làm việc
- Từ 8h30 - 21h30
- Đặt hàng online 24/24
Kinh doanh
Hotline: 093 449 8189
Hotline: HCM 093 449 8189
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Thông tin liên hệ
- Phòng 706, Tầng 7, Tháp T2, Times Tower - HACC1 Complex Building, Lê Văn Lương, Thanh Xuân, Hà Nội.
- Tel: 024 37151566
- Email: kinhdoanh@tanquang.vn
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